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He was also a taskmaster who accepted nothing less than perfection from those who worked with him and the stories of his severity are legendary.Those who could not achieve his standards had good reason to dislike him.

This led to collaborations in plays using masks with Giorgio Strehler in Milan and elsewhere, and the stylised neutrality which a mask imposes on an actor became an important feature of his training.

In a book of conversations assembled by two collaborators Jacques Lecoq explained his techniques and principles.

It is entitled Le Corps poetique, un enseignement de la creation theatrale (1998).

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star said that all of the claims are “completely fabricated.”“Let me begin by saying that the accusations against me are absolutely false and completely fabricated,” Piven, 52, began. I keep asking myself, ‘How does one prove something didn’t happen?

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